Did I mention I've been collecting records again? I had a pretty decent vinyl collection going in high school, but I left it behind after moving West and it was all lost that first winter, when the parents' place was flooded and my basement room got destroyed. The only one to survive was Primus' Tales From The Punchbowl, which I later brought back with me to Vancouver, although I have no idea what happened to it.
Regardless, I've been building up a collection all through 2010, since my current house has a player in the living room. When that started to crap out recently, I began looking around for a new player for my bedroom.
I became enamored with a particular retro suitcase model built by Crosley, a company out of Kentucky. Despite hunting all weekend and asking on MetaFilter, I couldn't find anywhere in the city still selling them. Late last night I thought to check Sears' website, without much hope, and was pleasantly surprised - they don't carry the suitcase model, but did have the Archiver, and it even turned out to be on sale, saving me 50$. Fantastic piece of hardware - turntable, built-in speakers, tape deck, cd player, radio, and even a usb-port for ripping my vinyl to the comp.
Since I went on a record purchase frenzy in the past couple weeks, I'm now catching up on my listening. Seven albums in the past seven days:
-Minutemen, Double Nickels on the Dime
-Insect Trust, self-titled
-Insect Trust, Hoboken Saturday Night
-Beck, Stereopathetic Soul Manure
-Daniel Lanois, Shine
-Mice Parade, What It Means To Be Left Handed
-Do Make Say Think, Winter Hymn Country Hymn Secret Hymn
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Monday, November 15, 2010
Monday, November 1, 2010
Let There Be Light
At ten months, Thomas Pynchon's Against the Day just became the longest read of my life. As I've been saying all this year, I started the book on Boxing Day and have been fighting it ever since. Appropriately enough, the t.k.o. came this morning, the Day of the Dead.
It was a bumpy ride, with two extended hiatuses and several trips for the book itself, which has now been to Powell River, Toronto and Black Rock City. Along the way I discovered this fantastic concept album from Montreal's Land of Kush, first as a download and then, last week, a beautiful 180-gram vinyl pressing, fortuitously timed for the home stretch run I made over the Halloween weekend.
I'll take the time to copy out my personal favorite passage below, as I feel that this one page comes the closest to summing up the center of gravity of one of the strangest, wildest, most confusing storylines/themes I've ever attempted to pursue (or was it pursuing me?).
"I want to know light," Roswell was confessing, "I want to reach inside light and find its heart, touch its soul, take some in my hands whatever it turns out to be, and bring it back, like the Gold Rush only more at stake, maybe, 'cause it's easier to go crazy from, there's danger in every direction, deadlier than snakes or fever or claim jumpers--"
"And what steps are you taking," Merle inquired, "to make sure you don't end up wandering around the badlands of our fair republic raving about lost mines and so forth?"
"I'm heading for California," replied Roswell.
"That ought to help some," said Merle.
"I'm serious. It's where the future of light is, in particular the moving pictures. The public loves those movies, can't get enough of 'em, maybe that's another disease of the mind, but as long as nobody finds a cure for it, the Sheriff will have to keep settling for traildust in my case."
"There sure is projectionist work everyplace you look," Merle said, "but the machinery itself, it's dangerous, and somehow, I'm not sure why, but - more complicated than it needs to be."
"Yes, it continues to puzzle me," Roswell agreed, "this irrational worship of the Geneva movement, and the whole idea of a movie projector being built like a clock - as if there could be no other way. Watches and clocks are fine, don't mistake my meaning, but they are a sort of acknowledgement of failure, they're there to glorify and celebrate one particular sort of time, the tickwise passage of time in one direction only and no going back. Only kind of movies we'd ever get to see on a machine like that'd be clock movies, elapsing from the beginning of the reel to the end, one frame at a time.
"One problem the early watchmakers had was that the weight of the moving parts would affect the way the watch ran. Time was vulnerable to the force of gravity. So Breguet came up with the tourbillon, which isolated the balance wheel and escapement off on a little platform of their own, geared to the third wheel, rotating about once a minute, assuming in the course of the day most positions in 3-D space relative to the gravity of the Earth, so the errors would cancel out and make time impervious to gravity. But now suppose you wanted to turn that around."
"Make gravity impervious to time? Why"
Roswell shrugged. "It's that one-way business again. They're both forces that act in one direction only. Gravity pulls along the third dimension, up to down, time pulls along the fourth, birth to death."
"Rotate something through space-time so it assumes all positions relative to the one-way vector 'time.'"
"There you go."
"Wonder what you'd get."
--A.T.D., p.456-457
edited to add, this review is probably the most succinct I've come across.
Choice quote:
"Having finally finished, I felt like an exhausted swimmer crawling onto the far shore of a body of water that turned out to be even wider than it looked."
It was a bumpy ride, with two extended hiatuses and several trips for the book itself, which has now been to Powell River, Toronto and Black Rock City. Along the way I discovered this fantastic concept album from Montreal's Land of Kush, first as a download and then, last week, a beautiful 180-gram vinyl pressing, fortuitously timed for the home stretch run I made over the Halloween weekend.
I'll take the time to copy out my personal favorite passage below, as I feel that this one page comes the closest to summing up the center of gravity of one of the strangest, wildest, most confusing storylines/themes I've ever attempted to pursue (or was it pursuing me?).
"I want to know light," Roswell was confessing, "I want to reach inside light and find its heart, touch its soul, take some in my hands whatever it turns out to be, and bring it back, like the Gold Rush only more at stake, maybe, 'cause it's easier to go crazy from, there's danger in every direction, deadlier than snakes or fever or claim jumpers--"
"And what steps are you taking," Merle inquired, "to make sure you don't end up wandering around the badlands of our fair republic raving about lost mines and so forth?"
"I'm heading for California," replied Roswell.
"That ought to help some," said Merle.
"I'm serious. It's where the future of light is, in particular the moving pictures. The public loves those movies, can't get enough of 'em, maybe that's another disease of the mind, but as long as nobody finds a cure for it, the Sheriff will have to keep settling for traildust in my case."
"There sure is projectionist work everyplace you look," Merle said, "but the machinery itself, it's dangerous, and somehow, I'm not sure why, but - more complicated than it needs to be."
"Yes, it continues to puzzle me," Roswell agreed, "this irrational worship of the Geneva movement, and the whole idea of a movie projector being built like a clock - as if there could be no other way. Watches and clocks are fine, don't mistake my meaning, but they are a sort of acknowledgement of failure, they're there to glorify and celebrate one particular sort of time, the tickwise passage of time in one direction only and no going back. Only kind of movies we'd ever get to see on a machine like that'd be clock movies, elapsing from the beginning of the reel to the end, one frame at a time.
"One problem the early watchmakers had was that the weight of the moving parts would affect the way the watch ran. Time was vulnerable to the force of gravity. So Breguet came up with the tourbillon, which isolated the balance wheel and escapement off on a little platform of their own, geared to the third wheel, rotating about once a minute, assuming in the course of the day most positions in 3-D space relative to the gravity of the Earth, so the errors would cancel out and make time impervious to gravity. But now suppose you wanted to turn that around."
"Make gravity impervious to time? Why"
Roswell shrugged. "It's that one-way business again. They're both forces that act in one direction only. Gravity pulls along the third dimension, up to down, time pulls along the fourth, birth to death."
"Rotate something through space-time so it assumes all positions relative to the one-way vector 'time.'"
"There you go."
"Wonder what you'd get."
--A.T.D., p.456-457
edited to add, this review is probably the most succinct I've come across.
Choice quote:
"Having finally finished, I felt like an exhausted swimmer crawling onto the far shore of a body of water that turned out to be even wider than it looked."
Sunday, October 10, 2010
Mr. Bungle MonSunday!!!
A couple of weeks back I made a post to Metafilter about the now defunct Mr. Bungle, one of my all-time favorite bands. The gist of it was several videos I stumbled across on youtube recently, fanmade clips for tracks off their 3rd and final album California:
Now, excellent (if I may say so myself...) posting is only one-half of the metamagic. The comment thread always tends to bring out the best in jokes, debates, anecdotes and extensive bonus linkage.
Several new pieces of info I picked up in the resulting thread include:
-for the first time since the California tour, the core Bungle members played together on-stage, as part of a John Zorn performance in San Fran (low-key, but Patton, Spruance, Winant and Dunn are all in there)
-Quote Unquote was not the only music video they made; it appears that they also had a series of live clips spliced together to make a video for My Ass Is On Fire (likely as a fuck-you to Warner Bros./MTV)
-California was the only one of their three albums never released on vinyl ... until recently, that is. As of October 4th it is available in the very bestest of best formats, and, as of today, I own a copy!
-saving the best for last: an absolute oddity of a scene from soap opera All My Children in which a couple of characters debate the legacy of Mike Patton. I'm not shitting you, check this out:
Now, excellent (if I may say so myself...) posting is only one-half of the metamagic. The comment thread always tends to bring out the best in jokes, debates, anecdotes and extensive bonus linkage.
Several new pieces of info I picked up in the resulting thread include:
-for the first time since the California tour, the core Bungle members played together on-stage, as part of a John Zorn performance in San Fran (low-key, but Patton, Spruance, Winant and Dunn are all in there)
-Quote Unquote was not the only music video they made; it appears that they also had a series of live clips spliced together to make a video for My Ass Is On Fire (likely as a fuck-you to Warner Bros./MTV)
-California was the only one of their three albums never released on vinyl ... until recently, that is. As of October 4th it is available in the very bestest of best formats, and, as of today, I own a copy!
-saving the best for last: an absolute oddity of a scene from soap opera All My Children in which a couple of characters debate the legacy of Mike Patton. I'm not shitting you, check this out:
Monday, September 27, 2010
The Will Always Negates Defeat
Based on a recommendation from my step-bro back in July, I went to see the Flaming Lips last night at the Malkin Bowl in Stanley Park. Despite the apprehension I felt upon arrival - it's been a cold+rainy enough September already and the ground was pure mud in front of the stage - it turned out to be one of the best concerts I've ever seen.
Singer Wayne Coyne came out 5 minutes before they started and warned everyone that they had defied logic and set up very close to the edge of the stage, also giving the heads up that should it start to rain, they'd need to shut things down and move everything back. But already the night had that special feel, where we could just collectively will the bad weather away. Sure, why not - it worked. Their stage show was absolutely breathtaking, filled with confetti, streamers, giant balloons floating around through the crowd, and Wayne's signature 'space bubble' run across the crowd's heads. Won't even attempt to explain the various visuals depicted on the giant round screen, but suffice to say that the band members make their stage entrance by emerging out of a vagina.
Uh ... anyways, this song was the highlight for me:
Despite having seen them once before (a midnight Bonnaroo set 7 years ago, which I believe was the first time they decided to do Dark Side of the Moon, their most recent recorded output) I really didn't know much about them, so having Colter there with me helped in identifying songs I particularly liked - not that there was a single one I didn't like..
So anyways, coming home I was motivated to go back through my concert stub collection and put together my top 10, as I knew this would certainly be up there. It wound up making #3.
10. Dave Matthews Band w/Bela Fleck & The Flecktones - April 20th 2002,Corel Centre, Ottawa, ON
Although I've lost interest in DMB since then, the treat of seeing them come out for the encore with all 10 members of both bands, and play a 35min. version of #41 will always stay special memory-wise.
9. Secret Chiefs 3 w/ Sleepytime Gorilla Museum - January 8th 2006, Richard's On Richards, Vancouver, BC
One of those rare occasions where an opening band upstages the main act ... and, I mean, Secret Chiefs were still really, really good. But Sleepytime was just that much better. ("Wake Up!")
8. Radiohead - December 12th 1995, Warehouse, Toronto, ON
First concert so it has to make the list, but to have the chance to see The Bends performed in entirety, plus roughly half of Pablo Honey - it's just not something that will ever happen again I bet. Bonus points for my first crowd surfing experience coming at the hands of the opening band's singer.
7. Gogol Bordello - November 2008, Abandoned Air Base, Koln, DE
The only one I don't have a concert stub from so I can't come up with the exact date or location but ... seeing Gogol in an old German aircraft hangar was such a surreal experience, yet so apt!
6. Daniel Lanois w/ Tortoise - October 17th 2005, Commodore Ballroom, Vancouver, BC
Tortoise would probably be my all-time favorite live band, so to get to see them first open with their own set, then come back and act as the backing band for a living Canadian legend, all culminating in the legendary (literally - don't think it was ever recorded) original composition 'Illinois', speaks for itself.
5. Pearl Jam - August 22nd 1998, Molson Park, Barrie, ON
PJ knew what they had to do to rescue me from the combination of a giant blunt and a shitty opening set from Cheap Trick: they had to come out and play a 3.5hr set that stretched over all their albums. So they did. And they encored with Yellowledbetter!
4. Dillinger Escape Plan w/ Hella - November 15th 2005, Red Room, Vancouver, BC
Like the Bungle show at #1, this one had the feel of something that could go off the rails and get dangerous. Hella damn near upstaged the main act, but Dillinger came out and pulverized the crowd. Red Room is a basement venue and it wall-to-wall packed, so the singer would climb into the rafters and disappear, then swing down with the mic screaming and land in the crowd kicking and punching. It was, mmm, chaotic. And they played When Good Dogs Do Bad Things! Sans Patton, unfortunately.
3. Flaming Lips - September 26th 2010, Malkin Bowl, Vancouver, BC
See above, lazy ass.
2. Rage Against the Machine w/ GangStarr - November 29th 1999, Maple Leaf Gardens, Toronto, ON
And they thought they could keep us in our seats ... as the lights went down and Rage got ready to take the stage, a crowd of about 60 or 80 people assembled in a face-off with the general admission floor guards. Myself and two friends joined. I remember going over the head of a security guard who was picking up a guy bigger than me ... as I ran into the crowd I looked back and saw the guy get thrown like a sack of potatoes back into the seating area. It was worth it to be in the pit though .. I still remember during the encore, as they played Killing in the Name, looking up as they turned on all the houselights and everyone in the entire stadium was standing, shaking fists and ready to change the world. Hopefully some moms at least got yelled at later that night.
1. Mr. Bungle - July 30th 1999, Guvernment, Toronto, ON
We arrived at the venue to be told doors would be delayed 2 hours since the band had been held up at the border. Ok, we said, and proceeded to set up shop under a highway overpass and consume way too much hash.
We head back to the venue (the Government/used to be RPM I believe, next to what was then the Warehouse and last I checked is called KoolHaus) and get inside to find it has been totally oversold. The place was packed to the point where you could hardly move, and it's July in Toronto ... not nice. Took about 3 hours before Bungle finally came out on stage, as I guess the border delay was worse than expected. The whole time, the venue is playing that little 5 second intro clip from California, the hawaiian music, on a loop ... and man, people started to lose it, screaming for them to change the music, eventually throwing bottles at the stage and any staff who would show their faces. It was pretty scary.
The worst part was that they only let MB play for 45 minutes before they were booted because the venue had the longest running Friday night clubnight in the city. Still though, only six songs (Sweet Charity, Retrovertigo, Air Conditioned Nightmare, & Vanity Fair from California, Quote Unquote from the self-titled debut, and Ma Meeshka Mow Sqwaz off Disco) and yet ... here it is @#1.
Singer Wayne Coyne came out 5 minutes before they started and warned everyone that they had defied logic and set up very close to the edge of the stage, also giving the heads up that should it start to rain, they'd need to shut things down and move everything back. But already the night had that special feel, where we could just collectively will the bad weather away. Sure, why not - it worked. Their stage show was absolutely breathtaking, filled with confetti, streamers, giant balloons floating around through the crowd, and Wayne's signature 'space bubble' run across the crowd's heads. Won't even attempt to explain the various visuals depicted on the giant round screen, but suffice to say that the band members make their stage entrance by emerging out of a vagina.
Uh ... anyways, this song was the highlight for me:
Despite having seen them once before (a midnight Bonnaroo set 7 years ago, which I believe was the first time they decided to do Dark Side of the Moon, their most recent recorded output) I really didn't know much about them, so having Colter there with me helped in identifying songs I particularly liked - not that there was a single one I didn't like..
So anyways, coming home I was motivated to go back through my concert stub collection and put together my top 10, as I knew this would certainly be up there. It wound up making #3.
10. Dave Matthews Band w/Bela Fleck & The Flecktones - April 20th 2002,Corel Centre, Ottawa, ON
Although I've lost interest in DMB since then, the treat of seeing them come out for the encore with all 10 members of both bands, and play a 35min. version of #41 will always stay special memory-wise.
9. Secret Chiefs 3 w/ Sleepytime Gorilla Museum - January 8th 2006, Richard's On Richards, Vancouver, BC
One of those rare occasions where an opening band upstages the main act ... and, I mean, Secret Chiefs were still really, really good. But Sleepytime was just that much better. ("Wake Up!")
8. Radiohead - December 12th 1995, Warehouse, Toronto, ON
First concert so it has to make the list, but to have the chance to see The Bends performed in entirety, plus roughly half of Pablo Honey - it's just not something that will ever happen again I bet. Bonus points for my first crowd surfing experience coming at the hands of the opening band's singer.
7. Gogol Bordello - November 2008, Abandoned Air Base, Koln, DE
The only one I don't have a concert stub from so I can't come up with the exact date or location but ... seeing Gogol in an old German aircraft hangar was such a surreal experience, yet so apt!
6. Daniel Lanois w/ Tortoise - October 17th 2005, Commodore Ballroom, Vancouver, BC
Tortoise would probably be my all-time favorite live band, so to get to see them first open with their own set, then come back and act as the backing band for a living Canadian legend, all culminating in the legendary (literally - don't think it was ever recorded) original composition 'Illinois', speaks for itself.
5. Pearl Jam - August 22nd 1998, Molson Park, Barrie, ON
PJ knew what they had to do to rescue me from the combination of a giant blunt and a shitty opening set from Cheap Trick: they had to come out and play a 3.5hr set that stretched over all their albums. So they did. And they encored with Yellowledbetter!
4. Dillinger Escape Plan w/ Hella - November 15th 2005, Red Room, Vancouver, BC
Like the Bungle show at #1, this one had the feel of something that could go off the rails and get dangerous. Hella damn near upstaged the main act, but Dillinger came out and pulverized the crowd. Red Room is a basement venue and it wall-to-wall packed, so the singer would climb into the rafters and disappear, then swing down with the mic screaming and land in the crowd kicking and punching. It was, mmm, chaotic. And they played When Good Dogs Do Bad Things! Sans Patton, unfortunately.
3. Flaming Lips - September 26th 2010, Malkin Bowl, Vancouver, BC
See above, lazy ass.
2. Rage Against the Machine w/ GangStarr - November 29th 1999, Maple Leaf Gardens, Toronto, ON
And they thought they could keep us in our seats ... as the lights went down and Rage got ready to take the stage, a crowd of about 60 or 80 people assembled in a face-off with the general admission floor guards. Myself and two friends joined. I remember going over the head of a security guard who was picking up a guy bigger than me ... as I ran into the crowd I looked back and saw the guy get thrown like a sack of potatoes back into the seating area. It was worth it to be in the pit though .. I still remember during the encore, as they played Killing in the Name, looking up as they turned on all the houselights and everyone in the entire stadium was standing, shaking fists and ready to change the world. Hopefully some moms at least got yelled at later that night.
1. Mr. Bungle - July 30th 1999, Guvernment, Toronto, ON
We arrived at the venue to be told doors would be delayed 2 hours since the band had been held up at the border. Ok, we said, and proceeded to set up shop under a highway overpass and consume way too much hash.
We head back to the venue (the Government/used to be RPM I believe, next to what was then the Warehouse and last I checked is called KoolHaus) and get inside to find it has been totally oversold. The place was packed to the point where you could hardly move, and it's July in Toronto ... not nice. Took about 3 hours before Bungle finally came out on stage, as I guess the border delay was worse than expected. The whole time, the venue is playing that little 5 second intro clip from California, the hawaiian music, on a loop ... and man, people started to lose it, screaming for them to change the music, eventually throwing bottles at the stage and any staff who would show their faces. It was pretty scary.
The worst part was that they only let MB play for 45 minutes before they were booted because the venue had the longest running Friday night clubnight in the city. Still though, only six songs (Sweet Charity, Retrovertigo, Air Conditioned Nightmare, & Vanity Fair from California, Quote Unquote from the self-titled debut, and Ma Meeshka Mow Sqwaz off Disco) and yet ... here it is @#1.
Wednesday, June 23, 2010
Ready? Ready? Ready? Breathe!
In the realm of sample-based music, I didn't think I would ever hear anything weirder than Matmos' A Chance To Cut Is A Chance To Cure (well not really, in fact I own at least one weirder sample album, an indie disc I picked up years ago in Eugene, Oregon that's mostly built out of recordings of bathtubs draining). But anyways, forget all that noise, because .... wait for it ....
Nine Inch Niles' The Seattleward Spiral has arrived! because I know you've been waiting for-evarr for this one
I won't even attempt to explain it. Listen to it if you dare, I estimate the average human being will lose 10 brain cells per minute, and don't blame me if your head explodes at some point. It's actually almost a form of aural torture.
\
I will say though, even if the end product is pretty damned rough around the edges, the api script used to create it is really something else, and could eventually lead to some nifty applications.
On the other end of the spectrum (and if you need a quick q-tipping to wash that noise out of your ears), this seems like a fantastic excuse to revisit Kutiman's ThruYou project - possibly the best website I came across in all of 2009. I was - still am - ecstatic to see that it is preserved online.
Nine Inch Niles' The Seattleward Spiral has arrived! because I know you've been waiting for-evarr for this one
I won't even attempt to explain it. Listen to it if you dare, I estimate the average human being will lose 10 brain cells per minute, and don't blame me if your head explodes at some point. It's actually almost a form of aural torture.
\
I will say though, even if the end product is pretty damned rough around the edges, the api script used to create it is really something else, and could eventually lead to some nifty applications.
On the other end of the spectrum (and if you need a quick q-tipping to wash that noise out of your ears), this seems like a fantastic excuse to revisit Kutiman's ThruYou project - possibly the best website I came across in all of 2009. I was - still am - ecstatic to see that it is preserved online.
Sunday, November 1, 2009
podkasten
Guess I'm behind the curve on this one but I only recently really got into podcasts; nowadays it's what I listen to most of the time at home.
Aside from Metafilter's podcast - still probably my favorite site out there - New Jersey station WFMU has a pile of really great shows to offer. I've especially enjoyed Mudd Up! with DJ /rupture, as well as Coffee 2 Go.
Aside from Metafilter's podcast - still probably my favorite site out there - New Jersey station WFMU has a pile of really great shows to offer. I've especially enjoyed Mudd Up! with DJ /rupture, as well as Coffee 2 Go.
Sunday, September 13, 2009
Wake the Fuck Up
.
Around 2:20 in you get a close glimpse into his eyes. Eyes of a poet, junkie, b'balla and rock'n'rolla; the eyes of a Dead Man.
Its 2009 and we all seem to die repeatedly these days. I'm enthused about life by these exciting events.
Goodbye Jim.
Around 2:20 in you get a close glimpse into his eyes. Eyes of a poet, junkie, b'balla and rock'n'rolla; the eyes of a Dead Man.
Its 2009 and we all seem to die repeatedly these days. I'm enthused about life by these exciting events.
Goodbye Jim.
Monday, August 3, 2009
Summer Break (the eternal chaos)
Spent about a month now with the latest Sonic Youth album, The Eternal, in my life. Came during a brief respite from chaos, decided to stick around.
Seems there's plenty of accolades floating around for this album. I'll stretch the bandwagon and call it my favorite yet of all their records. I'm certain there are plenty of hardcores out there who will hate me for that - surely that should go to something like Daydream Nation or Goo !!! - but fuck it, I love it, and in an effort to go further in depth with that sentiment, and take it out of the realm of every other blog post, here's a point-form, stream-of-conscience evaluation of it, track by track:
1. Sacred Trickster - stumbling, dizzy, grinding, listless
2. Anti-Orgasm - smooth, descending, intentional, subversive, !orgasmic!
3. Leaky Lifeboat - sparkling, confident, insistent
4. Antenna - spacecrafts, comfort, unease, hope
5. What We Know - swinging, shuffling, bustling, bouncing
6. Calming the Snake - walking, crawling, running, fading, boiling, overheating
7. Poison Arrow -dirty groove, stabbing, rolling, sweet
8. Malibu Gas Station - dreamy, impulsive, inspired
9. Thunderclap For Bobby Pyn - harmonic.morepunkthanpunk.fuckyou.bestsong.morecowbell.
10. No Way - high, classic, more sweetness
11. Walkin Blue - funky, under construction, introspective
12. Massage the History - nostalgic, melodic, sexy, floating, familiar
13. Pay No Mind - oh, a bonus cover of my favorite Beck song? you don't say .. !Holy Fuck!
14. No Garage - go, goodbye
cum on' down, down to the river, cum on' down, i wanna feel you shiver
Seems there's plenty of accolades floating around for this album. I'll stretch the bandwagon and call it my favorite yet of all their records. I'm certain there are plenty of hardcores out there who will hate me for that - surely that should go to something like Daydream Nation or Goo !!! - but fuck it, I love it, and in an effort to go further in depth with that sentiment, and take it out of the realm of every other blog post, here's a point-form, stream-of-conscience evaluation of it, track by track:
1. Sacred Trickster - stumbling, dizzy, grinding, listless
2. Anti-Orgasm - smooth, descending, intentional, subversive, !orgasmic!
3. Leaky Lifeboat - sparkling, confident, insistent
4. Antenna - spacecrafts, comfort, unease, hope
5. What We Know - swinging, shuffling, bustling, bouncing
6. Calming the Snake - walking, crawling, running, fading, boiling, overheating
7. Poison Arrow -dirty groove, stabbing, rolling, sweet
8. Malibu Gas Station - dreamy, impulsive, inspired
9. Thunderclap For Bobby Pyn - harmonic.morepunkthanpunk.fuckyou.bestsong.morecowbell.
10. No Way - high, classic, more sweetness
11. Walkin Blue - funky, under construction, introspective
12. Massage the History - nostalgic, melodic, sexy, floating, familiar
13. Pay No Mind - oh, a bonus cover of my favorite Beck song? you don't say .. !Holy Fuck!
14. No Garage - go, goodbye
cum on' down, down to the river, cum on' down, i wanna feel you shiver
Thursday, March 5, 2009
Math Rock in a new Millennium
Something to satisfy both the geek and the rockstar within:
Over at Music Machinery, Paul Lamere explains how he wrote a Python script that will analyze the waveform of a song and automatically detect whether or not the drummer used a click-track.
He then goes on to have some fun analyzing Green Day, Led Zeppelin, Britney Spears, and a friend's band. I could never explain the process myself so take a look. Oh, and speaking of music plus technology, why not process the click detector concept while enjoying Kuriman's YouTube inspired-and-created mashups on ThruYou.
Over at Music Machinery, Paul Lamere explains how he wrote a Python script that will analyze the waveform of a song and automatically detect whether or not the drummer used a click-track.
He then goes on to have some fun analyzing Green Day, Led Zeppelin, Britney Spears, and a friend's band. I could never explain the process myself so take a look. Oh, and speaking of music plus technology, why not process the click detector concept while enjoying Kuriman's YouTube inspired-and-created mashups on ThruYou.
Thursday, January 15, 2009
last.fm
Over a year after I signed up at the encouragement of my roommate Allison, I'm just now starting to appreciate the pull of last.fm
I've got Amarok set up to auto-update the music I listen to on my computer, which I'm sure can be done from most popular media players - hell, if Songbird can do it, iTunes or WinAmp must be able to.
My profile there : kiisu_killen
I've got Amarok set up to auto-update the music I listen to on my computer, which I'm sure can be done from most popular media players - hell, if Songbird can do it, iTunes or WinAmp must be able to.
My profile there : kiisu_killen
Tuesday, January 13, 2009
2009, and onwards
SO! ... Happy New Years, says the man on the 14th.
After a low-key Christmas with a group of Americans and Colombians, I spent New Years playing three different shows at two venues in Prenzlauer Berg. The first, at Zu Mia Oder Zu Dia, was a bust due to a lack of items for me to hit. The next two, both at Intersoup, were much more succesful. The first set consisted of originals while the second was mostly covers (which we rehearsed once, in a flat, with a blanket over the drumset) and a few of our own that were left-out in the first set.
Between the two sets, my four couchsurfers showed up with a gift of cake for me. Part of the reason I waited to write about the night was that I had to wait for Julien to email me my only memento of the evening.
Et .... voila:
My guess is this photo was taken around 4 am. We wound up playing until roughly 5:30, and a few friends came by around 6. All in all, the night went to day and I came in from the cold at 9:30. To the best of my knowledge, that's the latest I've ever partied on NY's. What's next after the party's done? Perhaps at my age, I get the best of both worlds, because I wasn't tired, yet had no problem surrendering to sobriety.
After a low-key Christmas with a group of Americans and Colombians, I spent New Years playing three different shows at two venues in Prenzlauer Berg. The first, at Zu Mia Oder Zu Dia, was a bust due to a lack of items for me to hit. The next two, both at Intersoup, were much more succesful. The first set consisted of originals while the second was mostly covers (which we rehearsed once, in a flat, with a blanket over the drumset) and a few of our own that were left-out in the first set.
Between the two sets, my four couchsurfers showed up with a gift of cake for me. Part of the reason I waited to write about the night was that I had to wait for Julien to email me my only memento of the evening.
Et .... voila:
My guess is this photo was taken around 4 am. We wound up playing until roughly 5:30, and a few friends came by around 6. All in all, the night went to day and I came in from the cold at 9:30. To the best of my knowledge, that's the latest I've ever partied on NY's. What's next after the party's done? Perhaps at my age, I get the best of both worlds, because I wasn't tired, yet had no problem surrendering to sobriety.
Friday, December 12, 2008
ready to Amarok
Amarok 2.0 was released earlier this week. I only found out late Wednesday night, after checking my email before bed I decided to quickly drop by the Kubuntu forums; must have had a feeling.
Of course I got very, very excited being the semi-geek that I am and wound up staying up until 5am playing with it.
It really is the nicest music player out there - kicks the shit out of iTunes, but then so does Songbird.
Here's a screenshot of the shiny new interface with built-in Wikipedia info:
Some instructions for downloading & installing on Ubuntu
Of course I got very, very excited being the semi-geek that I am and wound up staying up until 5am playing with it.
It really is the nicest music player out there - kicks the shit out of iTunes, but then so does Songbird.
Here's a screenshot of the shiny new interface with built-in Wikipedia info:
Some instructions for downloading & installing on Ubuntu
Sunday, November 30, 2008
the Smell of Cologne..
Just back from a three day trip to Cologne/Koln. 'Twas a nice reunion of sorts, Mike&Tania from Germany hosted us and Brian from Ireland ... we all lived in Vancouver last year and it was nice to see a few familiar faces over here.
After a crazy barhopping night out the first night, we all went to see Gogol Bordello again. Made for an exhausting three nights in conjunction with the night before we left Berlin, when we had a Spanish language dinner and late-night jam session at Zach's.
Here, I'm still job hunting and getting discouraged, but generally that's when things pick up in my past so ... here's hoping.
I've started playing around the city a bit as a drummer for Katinka, which pays a bit, and gives me something to do for NY's.
In case you're wondering, there was nothing significant in the smell of Cologne...
After a crazy barhopping night out the first night, we all went to see Gogol Bordello again. Made for an exhausting three nights in conjunction with the night before we left Berlin, when we had a Spanish language dinner and late-night jam session at Zach's.
Here, I'm still job hunting and getting discouraged, but generally that's when things pick up in my past so ... here's hoping.
I've started playing around the city a bit as a drummer for Katinka, which pays a bit, and gives me something to do for NY's.
In case you're wondering, there was nothing significant in the smell of Cologne...
Wednesday, October 1, 2008
It's on ..
I am now certified - but in a good way - to trade labour for cash, in a foreign country.
(no matter how I right labour/labor, it does not look write)
Of course, the incubation of Oakville has given me far too much time towards introspection, my neurotic nature shifts the burden of a visa straight over to jobs when I get there.
But I've been writing much more recently and am trying to build up some momentum to get freelancing going once there. Not sure how to go about setting this up though. And, severely looking forward to starting something up musically overseas. That might pay.
(no matter how I right labour/labor, it does not look write)
Of course, the incubation of Oakville has given me far too much time towards introspection, my neurotic nature shifts the burden of a visa straight over to jobs when I get there.
But I've been writing much more recently and am trying to build up some momentum to get freelancing going once there. Not sure how to go about setting this up though. And, severely looking forward to starting something up musically overseas. That might pay.
Subscribe to:
Posts (Atom)